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PROKOFIEV: SYMPHONY NO. 6; LIEUTENANT KIJÉ; THE LOVE OF THREE ORANGES; Bergen Philharmonic Orchestra, Andrew Litton/BIS 1994 SACD  Here’s a question: why haven’t the symphonies of Prokofiev, so crammed full of colour and inventive orchestration, tempted those companies specialising in super audio CDs? This glorious music, which exploits the full dynamic range of the modern symphony orchestra, is an absolute natural for the medium, and its relatively sparse representation has been a cause for regret. But that regret is firmly over, if this first edition in a new cycle is a harbinger of the offerings to come. This immensely persuasive performance of the sinewy 6th Symphony matches impeccable musical values to sound quality of the most dramatic impact; what’s more two of the composer’s most popular orchestral suites, Lieutenant Kijé and The Love of Three Oranges, complement the symphony, making a most generous program. If there is a caveat – and there is one — it is that the alternative version of Lieutenant Kijé has been used, with vocal passages instead of the familiar (and far more seductive) orchestral sections, but this is a small blot on a truly recommendable issue — and one that whets the appetite for further issues in the series by Andrew Litton and the Bergen Philharmonic Orchestra.

OPERA RECORDING OF THE MONTH; WAGNER: THE RING; Soloists, Bayreuther Festspiele, Daniel Barenboim/Teldec 2564656333 Blu-ray  It’s here at last in a format that does it justice: Daniel Barenboim’s much-acclaimed version of Wagner’s great operatic masterpiece. The Barenboim Ring has long been regarded as the definitive modern version on DVD, crying out for the extra finessing that the Blu-ray medium would offer – which is precisely what it receives here. Some elements of the staging are (of course) controversial, but few would argue that the conductor and his solid cast of singers finds the essence of this most challenging of operas, and it is finally available in a version that does full justice to both musical and dramatic qualities. What is particularly piquant here is the fact that the clarity of sound and image on offer here was always inherent in the material – it simply needed the Blu-ray wash-and-rinse to make these qualities shine.

ATTERBERG: SYMPHONY NO. 6, ‘DOLLAR SYMPHONY’; SYMPHONY NO. 4 ‘SINFONIA PICCOLO; EN VÄRMLANDSRAPSODI SUITE NO. 3; Sara Trobäck Hesselink (violin), Per Högberg (viola), Gothenburg Symphony Orchestra, Neeme Järvi/CHANDOS CHSA 5116 SACD  Neeme Järvi further channels his Scandinavian commitment with the Bergen Philharmonic Orchestra into something cherishable with these polished and idiosyncratic performances of orchestral pieces by one of Sweden’s most unusual composers. The self-taught Atterberg forged a compositional ethos that took Brahmsian motifs and pointed them in new and unorthodox directions. The Symphony No. 4 (1918) was composed in tandem with a piece by with a Swedish colleague, Natanael Berg; both men decided that a bass tuba should be utilised in their pieces. Atterberg’s Sixth Symphony (which in 1928 received a prize from the Columbia Gramophone Company for a piece ‘in the spirit of Schubert,’), is quintessential fare from the composer, and is immensely winning. 

CHAMBER RECORDING OF THE MONTH; BEETHOVEN: STRING QUARTETS OP. 18/3, 18/5 & 135; Hagen Quartett/Myrios MYR009 SACD  Recordings of the Beethoven quartets are legion (with even the SACD medium catching up – see elsewhere in this column), and new entries have to offer something special in order to be competitive in this overcrowded field. If the Hagen Quartet maximise intellectual concentration rather than the gemütlich qualities customarily found in the earlier quartets here, this is a cogent approach that pays dividends and offers a striking new insight into music that will now at times seem strangely unfamiliar to the listener, however well they know the pieces. The recording is splendidly incisive, particularly in the later Opus 135.

BRUCH: SCOTTISH FANTASY, VIOLIN CONCERTO NO.1; Guy Braunstein, Bamberger Symphoniker, Ion Marin/TUDOR 7188 SACD  The Bruch violin concerto has done service in the SACD medium before (and see the contemporaneous Steinbacher recording reviewed here), but this all-Bruch programme makes for a satisfyingly unified listening experience, with the Bruch concerto poetically shaped by the talented Braunstein. Those sensitive to such things should note that the violinist’s sharp intakes of breath at the start of phrases is persistently audible, particularly in this translucent SACD recording.

STRAUSS: DER ROSENKAVALIER (Highlights); Crespin, Söderström, Holecek, Wiener Philharmoniker, Silvio Varviso/Eloquence ELQ 4803149  It is a pity that one of the most acclaimed recordings of Strauss’s beloved Rosenkavalier was only recorded as excerpts, but we do get an hour’s worth, and most listeners’ favourites are here (though not Ochs’ seductive waltz). The scenes include the Marchallin’s Act I monologue, the Presentation of the Rose, and (of course) the trio and final duet. A youthful-sounding Crespin and Söderström produce ravishing interpretations.

LUTOSŁAWSKI: DANCE PRELUDES, SYMPHONY NO. 1, PARTITA, CHAIN 2 Michael Collins (clarinet), Tasmin Little (violin) BBC Symphony Orchestra, Edward Gardner/CHANDOS CHSA 5108 SACD  While more varied (in terms of contrasting the accessible and the rebarbative) than other orchestral surveys of individual composers from Chandos, this fifth and final LutosÅ‚awski volume rounds out the series in great style. The composer’s Symphony No. 1 (composed between 1941 and 1947) is a lively and energetic piece in the composer’s most listener-friendly mode. The selections here supply a rounded portrait of the composer – and even if (frankly) some of the modish pieces in this survey may languish unplayed, the wealth of striking and individual music decisively outweighs the more cryptic pieces. The surround sound, as ever with Chandos, is superb.

TALBOT: ALICE’S ADVENTURES IN WONDERLAND AND FOOL’S PARADISE; Royal Philharmonic Orchestra, Christopher Austin/Signum Classics SIGCD 327  This first CD release of composer Joby Talbot’s collaborations with choreographer Christopher Wheeldon includes the scores Fool’s Paradise (2007); and their subsequent piece, the Carroll-inspired Alice’s Adventures in Wonderland (2011). The scores are performed by the Royal Philharmonic Orchestra under conductor Christopher Austin, a frequent collaborator of the composer. Following earlier releases on Signum (earlier issues include Path of Miracles and Tide Harmonic), this is music of great liveliness and colour, but perhaps lacking that final soupçon of individuality. Nevertheless, it’s hard to imagine in the scores being given greater advocacy than they receive here.

SVENDSEN: ORCHESTRAL WORKS, VOLUME 3: Symphony No. 1; Violin Concerto; Norwegian Artists’ Carnival; Two Icelandic Melodies Marianne Thorsen (violin), Bergen Philharmonic Orchestra, Neeme Järvi CHAN 10766  Neeme Järvi supplies Vol. 3 in the conductor’s survey of orchestral works by the neglected Norwegian composer Johan Svendsen. As before, no earth shattering discoveries, but easy-on-the-ear, insinuating music.

 BRITTEN: PETER GRIMES; Soloists, Teatro alla Scala Orchestra, Robin Ticciati/OPUS ARTE 0947807119 DVD/Blu-ray  The acclaimed production of Peter Grimes from Teatro alla Scala, directed by Richard Jones. Generally regarded as the greatest of all 20th-century British operas, Britten’s groundbreaking masterpiece is here given a psychologically telling reading with sound and picture quality in the Blu-ray medium that sees off all rivals. This production revived the tradition of Britten’s operas on the lyric stages of Italy and the strong British cast is marshalled by the baton of Robin Ticciati in his La Scala debut. John Graham-Hall gives a superb performance as the eponymous fisherman.

BRUCKNER: MASS NO.3 IN F MINOR; Orchestre de la Suisse Romande, Rundfunkchor Berlin/Marek Janowski/Pentatone PTC 5186 501 SACD  The drama and intensity of Bruckner’s mass is here given its full head, and the results are impressive indeed, though the mass remains principally a piece for Brucknerians; the unconverted will not find the scales falling from their eyes. With typically impressive PentaTone surround sound doing full justice to the orchestral panoply (not to mention the forceful choral writing), this is a disc that will please even the most demanding aficionado, complementing the Bruckner Symphonies cycle with the Orchestre de la Suisse Romande conducted by Marek Janowski.

GOOSSENS: FOUR CONCEITS, OP. 20; KALEIDOSCOPE, OP. 18; TAM O’SHANTER, OP. 17; VARIATIONS ON ‘CADET ROUSSELLE’; TWO NATURE POEMS, OP. 25; THREE GREEK DANCES, OP. 44; INTERMEZZO FROM ‘DON JUAN DE MAÑARA’, OP. 54; CONCERT PIECE, OP. 65, Melbourne Symphony Orchestra, Sir Andrew Davis/CHANDOS CHSA 5119 SACD  When ABC Classics issued a comprehensive multidisc set of the orchestral works of Eugene Goosens, it was something of a revelation: here was yet another talented British composer whose work had fallen into inexplicable neglect (although perhaps not so inexplicable; Goossens’ music was colourful and accessible; hardly fashionable accoutrements when he was writing it). That set was ably conducted by the late Vernon Handley, and it’s good to report that his pioneering work is being followed up by Andrew Davis and the Chandos team in the most wide-ranging of super audio surround sound. From the first bars of the lively Kaleidoscope, Goosens’ music is obviously in the best of hands, and the second item here, Tam O’Shanter even gives Malcolm Arnold’s celebrated overture of the same name a run for its money (though Arnold’s is the more individual piece). This disc marks the beginning of the partnership between the Melbourne Symphony Orchestra and its recently appointed Chief Conductor, Sir Andrew Davis, who already boasts an impressive discography on Chandos. In the pieces here, Goossens demonstrates his mastery of orchestration notably with Four Conceits, Kaleidoscope, and Two Nature Poems, which were initially pieces for solo piano. Not everything here is substantial, and there is some note-spinning, but the generally inspired fare outweighs the quotidian. Sound values are top-notch.

VAGN HOLMBOE: CONCERTO FOR VIOLA OP. 189; CONCERTO FOR ORCHESTRA; CONCERTO FOR VIOLIN NO. 2 OP. 139; Erik Heide, Lars Anders, Tomter Norrköping Symphony Orchestra, Dima Slobodeniouk DA Capo 6220599 SACD  Recently, more and more listeners have been investigating the music of Holmboe and finding its very individual appeal ever more winning. If the concertos here are clearly not as significant in the composer’s output as his more weighty symphonies, they are nevertheless essential purchases for those who have been collecting the latter, and the sheer musicianship of the soloists here is nonpareil. The concertos for violin and viola are infused with the composer’s flavoursome Nordic style.

 BRUCH/KORNGOLD/CHAUSSON: VIOLIN CONCERTOS; Arabella Steinbacher, Gulbenkian Orchestra, Lawrence Foster/Pentatone PTC 5186 503 SACD  There is some competition regarding both the Bruch and Korngold concertos in the SACD medium these days (see above), but Arabella Steinbacher is able to hold her own with the very best. In the luxuriously romantic Korngold (written for Jascha Heifetz, whose recording remains the template), Steinbacher is set further back in the sound picture than her most persuasive rival, Anne-Sophie Mutter (whose own version is a modern benchmark), but that allows much of Korngold’s exquisitely subtle orchestral detail to be heard as never before. The Bruch is similarly given a very perceptive reading. This is the 4th concerto album of Arabella Steinbacher on PentaTone.

ITALIAN ORCHESTRAL MUSIC; Orchestra dell’Accademia Nazionale di Santa Cecil / Fernando Previtali Eloquence ELQ 4805374 2CD  In some ways, it is a shame that Respighi’s Pines of Rome, dazzlingly performed though is here, has been included as recordings of the piece are numerous (and this decades-old one, truth to tell, shows its age). The real appeal of the disc is the lesser-known music (although Wolf-Ferrari’s Jewels of the Madonna is hardly obscure) but lovers of vibrant (if underregarded) Italian orchestral music should not hesitate, even though the recordings are of vintage status. Fernando Previtali’s orchestral recordings for Decca of music by Respighi, Casella, Ghedini, Petrassi and Casella were recorded in July 1956 and spent only a short time in the catalogue

TCHAIKOVSKY: VIOLIN CONCERTO & SOUVENIR OF FLORENCE; Sarah Nemtanu, Orchestre National de France, Kurt Masur/Naïve 2218605325  A new artist, and the new version of a much-recorded piece, but a recording that — while not rivalling some of the most significant readings of the past — is nevertheless competitive, particularly with the nuance added by the sensitive conducting of Kurt Masur.

D’INDY: ORCHESTRAL WORKS, VOLUME 5: Symphonie sur un chant montagnard français, Op. 25 Saugefleurie, Op. 21; Médée, Op. 47 Prelude to ‘Fervaal’, Op. 40 Louis Lortie (piano), Iceland Symphony Orchestra, Rumon Gamba CHAN 10760  More glowing and sensual sounds in the very welcome D’Indy series from Chandos. If (in the final analysis) the music is not quite as distinctive as much of this era investigated by this most enterprising labels, it is still graced with immense charm – and, what’s more, it is characterised with great charm by Gamba. This is Volume 5 in the Chandos series dedicated to the orchestral works of Vincent d’Indy, and the recording is the first ever made at Harpa, the new concert hall in Reykjavik, which opened in May 2011.

BEETHOVEN: COMPLETE QUARTETS Vol. 1 Quartetto di Cremona Audite 92.680 SACD  More Beethoven quartets in the super audio medium, and once again, an enthusiastic welcome is justified. What is particularly impressive here is the use of all four channels for the individual instruments. Although some listeners find this approach something of a gimmick, there is no denying that the strategy places one ineluctably right at the centre of the music – and, it might be argued, at the crucial centre of Beethoven’s genius, particularly in performances as sensitive and musicianly as those to be found here. An auspicious launch to a complete cycle.

 

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Ian Bostridge has recorded a programme of songs by Benjamin Britten as part of EMI Classics’ commemoration of the composer’s centenary.  The disc features first recordings by Bostridge of the Seven Sonnets of Michelangelo, Sechs Hölderlin-Fragmente, Songs from the Chinese, Winter Words and four English songs from the late cycle Who are these Children? At the piano for all but Songs from the Chinese is fellow EMI artist Antonio Pappano, with whom Bostridge has previously recorded Schubert’s Schwanengesang and Wolf lieder.
In Songs from the Chinese, Bostridge collaborates with another EMI artist, the guitarist Xuefei Yang. “My love for Britten goes way back to when I was seven. He wrote a lot of wonderful music for children,” Bostridge says. “I was a rat in Noye’s Fludde. … and then I did The Golden Vanity at school and A Ceremony of Carols. I did a lot of Britten as a child and it was in my blood. ‘

 

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BERLIOZ: OVERTURES: LE ROI LEAR; LE CARNAVAL ROMAIN; BÉATRICE ET BÉNÉDICT; LE CORSAIRE; WAVERLEY; LES FRANCS-JUGES; BENVENUTO CELLINI; MARCH FROM ‘LA DAMNATION DE FAUST’, Bergen Philharmonic Orchestra, Sir Andrew Davis CHANDOS SACD CHSA 5118  The Bergen Philharmonic Orchestra under Sir Andrew Davis have assembled a winning (and for collectors, very useful) programme of seven virtuoso orchestral overtures by Hector Berlioz, all brimming with the energy and colour that are the composer’s trademarks. The overtures are varied in mood, as are the operas which they precede. The early Overture to Les Francs Juges suggests the élan which will distinguish the marriage of orchestra and conductor; the copacetic results of which communicates itself throughout, The overture to Benvenuto Cellini, is superbly characterised, and if Le Carnaval Romain does not find the final whipcrack intensity of earlier readings, it is still enjoyably dynamic – as is everything on this extremely attractive collection.

PUCCINI: TURANDOT Susan Foster, Rosario la Spina, Orcetsre Victoria, Andrea Licata Opera Australia OPOZ56033BD Blu-ray  Puccini’s final masterpiece has been well-served on DVD, and here is an impressive, visually sumptuous new Blu-ray issue of the opera (with its unlovable heroine) to rival previous versions, with a performance that excels in both musical and dramaturgical values, but also takes full advantage of the pinprick sharp picture (and audio) quality of the Blu-ray medium. Rosario la Spina may be one of the heftiest Calfs since Pavarotti, but sings with authority, while Susan Foster is an incandescent Principessa.

NIELSEN: SYMPHONIES NOS. 2 & 3  Lucy Hall, Marcus Farnsworth, London Symphony Orchestra/Sir Colin Davis LSO LIVE LSO0722 SACD  With this sublime setting down of Symphonies 2 & 3, Colin Davis brings to a triumphant conclusion his enlightening Nielsen symphony cycle. The first title in the series, Symphonies Nos. 4 & 5, was an instant critical success (with some caveats), while the second, with Symphonies 1 & 6, was similarly acclaimed. Nielsen’s Second Symphony was a result of the composer’s exposure to a naïve painting representing the four temperaments of the human personality. The Third is the most characteristically Danish of his symphonies, and is given a non-pareil reading here in glowing surround sound which tames the Barbican acoustic.

HONEGGER: COMPLETE SYMPHONIES  Philharmonisches Orchester Der Hansestadt Lübeck, Romna Brogli-Sacher Musicaphon SACD  Despite rumours of a threat to its continuing health in an era of downloads, proof that surround sound discs remain popular with discerning classical listeners requiring the best possible sound is once again evident with the issue of this unsusual set, the first complete recording of Honneger’s symphonies in the medium. The Philharmonisches Orchester Der Hansedstadt Lubeckunde under Romna Brogli-Ssacher have the full measure of these often elusive scores, with impressive, weighty sound (albeit with some distracting audience noise in these live performances).

MORTON GOULD: AMERICAN LEGEND  Various Artists [3 CDs] Naxos 8.503259 Sporting such ingratiating Morton Gould crowd-pleasers as American Ballads, Foster Gallery, American Salute, this 3CD boxed set collects several cherishable albums. Lighter fare, but with a strong, supple core.

MADETOJA: KULLERVO, OP. 15,SYMPHONY NO. 2, OP. 35, ELEGY, OP. 4/1  Helsinki Philharmonic Orchestra, John Storgårds/Ondine ODE 1212-2  Why is this attractive Sibelian music so under-represented in the catalogue? Perhaps this powerful and colourful reading of Madetoja’s Second Symphony will remedy that regrettable situation.

RAFF: ORCHESTRAL WORKS, VOLUME 1: SYMPHONY NO. 2, ORCHESTRAL PRELUDES TO THE TEMPEST, MACBETH, ROMEO AND JULIET, OTHELLO  Orchestre de la Suisse Romande, Neeme Järvi/CHANDOS SACD CHSA 5117  What a welcome new series! The neglected orchestral works of the German-Swiss composer Joachim Raff were once championed by Bernard Herrmann, but have had only a tenuous hold on the repertoire. The sequence begins with Symphony No. 2 and the orchestral preludes to four plays by Shakespeare: The Tempest, Macbeth, Romeo and Juliet, and Othello, given committed readings by the venerable Orchestre de la Suisse romande, conducted by its new Artistic and Music Director, Neeme Järvi. Beethoven, Wagner and Brahms are conjoined in the mix here, and perhaps the last ounce of individuality is absent – but these are craftsman-like scores, with splendid SACD sound.

ANDRIESSEN: SYMPHONIC WORKS, VOLUME 1: SYMPHONY NO. 1; BALLET SUITE; SYMPHONIC ETUDE; VARIATION & FUGUE ON A THEME OF JOHANN KUHNAU  Netherlands Symphony Orchestra, David Porcelijn CPO 777721-2 Andriessen, a neglected composer of distinctive 20th Century orchestral music, deserves a fresh look, notably his First Symphony from 1920-1930, with its persuasive thematically linked movements.

WAGNER: DIE WALKÃœRE Anja Kampe, Nina Stemme, Jonas Kaufmann, René Pape, Mikhail Petrenko, Mariinsky Orchestra, Valery Gergiev/Mariinsky SACD MARO527  The Mariinsky label is nothing if not ambitious, as this imposing project demonstrates: the first release of Valery Gergiev conducting Wagner’s epic Ring Cycle, Die Walküre. Recorded in the Mariinsky Concert Hall, the SACD recording features an authoritataive(if at times uneven) cast, of singers, including Anja Kampe, Jonas Kaufmann, René Pape and the wonderful Nina Stemme,

WEINBERG: SYMPHONY NO. 8 ‘POLISH FLOWERS’, OP. 83  RafaÅ‚ BartmiÅ„ski, Magdalena Dobrowolska, Ewa Marciniec, Warsaw Philharmonic Orchestra and Choir, Antoni Wit/Naxos 8.572873 MieczysÅ‚aw Weinberg’s years of inspiration in the 1960s produced the imposing Eighth Symphony, which utilises texts drawn from Julian Tuwim’s epic poem Polish Flowers, inspired by Poland’s turbulent history. Social injustice was the fulcrum for one of the composer’s most individual achievements, realised here in blunt but powerful sound picture by Antoni Wit, the much-acclaimed Polish conductor.

RIMSKY-KORSAKOV: Scenes from The Invisible City of Kitezh, Sheherazade  St Petersburg Philharmonic Orchestra Yuri Temirkanov/ Signum Classics : SIGCD320  Nikolai Rimsky-Korsakov’s days as one of Mily Balakirev’s ‘Mighty Handful’ (Credo: a more purely Russian art music, as opposed to the Austro-German orthodoxy), resulted in the ebullient, vivid pieces found on this recording with the composer utilising influences from both Russia and other countries. The suite from his opera The Invisible City of Kitezh is evocatively realised, as is its stablemate Sheherazade (thought the latter has had more idiomatic readings) The St Petersburg Philharmonic Orchestra under Yuri Temirkanov deliver the scores with panache.

WAGNER: TANNHAUSER Albert Dohmen, Robert Dean Smith, Nina Stemme, Rundfunk-sinfonieorchester Berlin Pentatone SACD PTC 5186 405 Wagner operas continue to proliferate on SACD with this latest PentaTone entry maintaining the high standard of its predecessors. The ubiquitous Nina Stemme is a particular asset here.

ANDREAE: PIANO & VIOLIN CONCERTOS Soloists, Bournemouth Symphony Orchestra, Marc Andreae Guild GMCD 7394  Guild’s attention to the music of the Swiss composer and conductor Volkmar Andreae is most welcome; earlier issues of his chamber and orchestral music are complemented this new issue, recorded by the Bournemouth Symphony Orchestra and conducted by the composer’s grandson, Marc Andreae. The four works are all concertos or concertante compositions, and are given the best possible advocacy, though the violin concerto is comfortably the most distinguished and individual piece on the disc.

TURINA: DANZAS FANTÁSTICAS; Sinfonia Sevillana; Ritmos; Poema en forma de canciones; Farruca from ‘Triptico’; Saeta en forma de Salve a la Virgen de la Esperanza Clara Mouriz (mezzo soprano), BBC Philharmonic / Juanjo Mena CHAN 10753  Despite its vivid Latin colour, this disc is not, regrettably in surround sound (given Chandos’ commitment to the medium) but this entry in the label’s ongoing Spanish Music series, performed by the BBC Philharmonic and its Chief Conductor, Juanjo Mtena does enthusiastic justice to the orchestral works of the composer Joaquín Turina, one of the key Spanish composers of the twentieth century, along with Manuel de Falla. Immensely seductive fare.

 

 

 

 

 

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JANACEK: GLAGOLITIC MASS; TARAS BULBA Soloists/Rundfunk Sinfonieorchester & Chor Berlin/Pentatone PTC 5186388 SACD An absolute winner. This ear-tickling SACD offers some of the most celebrated works by LeoÅ¡ Janaček. The Glagolitic Mass is one of the great modern choral pieces, with its dramatic organ sections, while the ‘rhapsody for orchestra’ Taras Bulba (with its unique, very personal chaacrter) is a calling-card piece for the composer. The wide-ranging super audio recording mode offers a degree of aural realism not to be found in any rival medium, but is shown to particular advantage in large-scale orchestral choral pieces – which is very much the case with these masterpieces by Janacek. Every detail is present, from the most delicate touch of orchestration to the most overwhelming of climaxes. If Janowski does not find the final ounce of Czech-inflected drama in the pieces in the fashion in which Charles Mackerras did (and the organ, though spectacular, perhaps lacks the attack of that on the Mackerras disc), few will complain given the quality of the recording which — at a stroke — becomes definitive.

BARBER: CONCERTO FOR CELLO AND ORCHESTRA/SONATA FOR CELLO AND PIANO/ADAGIO FOR STRINGS Christian Poltéra, Kathryn Stott/Bergen Philharmonic Orchestra, Andrew Litton BIS SACD1827  With this utterly persuasive reading of the two masterpieces for cello by Samuel Barber, it might be said that the domination of fashion in serious music by composers of the serial school has now had a final rebalancing, so that modern composers who did not eschew conventional harmony (while remaining contemporary) are now achieving the recognition – and concomitant slew of recordings – that are their due (Barber in the US, Walton and Arnold in this country). Barber’s Cello Concerto is one of the great works in the repertoire, and represents the perfect balance between sinewy strength and lyrical beauty, here realised with great sensitivity by Christian Poltéra – as is the composer’s Cello Sonata, given an equally authoritative reading. If one has a caveat, it is the inclusion of the unavoidable Adagio for Strings — sensitively realised here in exemplary surround sound, but is it absolutely necessary that virtually every recording of Barber’s music includes this piece? There cannot be an admirer of the composer who doesn’t have umpteen versions already. Enough!

SUPPÉ: OVERTURES, ETC. Royal Scottish National Orchestra, Neeme Järvi CHANDOS SACD CHSA 5110 Franz von Suppé made his mark as a composer for the stage, and for forty years there was rarely a year without a new stage work from him. While most of his operas and operettas have vanished from sight, his energetic and striking overtures (in Offenbach style) are as popular as ever. Highlights on the splendid SACD include the overtures to Poet and Peasant (the composer’s most familiar piece, along with the imperishable Light Cavalry).

 

JENSEN: ORCHESTRAL WORKS Trondheim Symphony Orchestra, Eivind Aadland  CPO (2) 777347-2 A very welcome double-disc release of Ludvig Irgens Jensen’s key orchestral works with the impressive Trondheim Symphony Orchestra under the baton of Eivind Aadland. Jensen’s colourful, winning scores deserve to be far better known outside his native Norway, and there is an argument that his best music at time rivals that of his celebrated contemporaries Sibelius and Nielsen, if lacking their genius.

 

BRITTEN: CELLO SYMPHONY, CELLO SONATA AND CELLO SUITES Alban Gerhrdt, BBC Scottish Symphony Orchestra, Andrew Manze Hyperion (2) CDA67941/2 A key release to inaugurate Britten’s anniversary celebrations. The composer’s friendship with cellist Mstislav Rostropovich produced some splendid music, including some of the most impressive pieces for cello of the twentieth century. Alban Gerhardt performs this body of works in its entirety. In the Cello Sonata he is partnered by Steven Osborne, whose Hyperion recording of Britten’s Piano Concerto received a Gramophone Award. The BBC Scottish Symphony Orchestra and Andrew Manze join Gerhardt for the Cello Symphony.

 

RESPIGHI: MARIE VICTOIRE Soloists, Orchester der Deutsche Oper Berlin, Michail Jurowski PO CPO 777684-2 A must for Respighians, this 2009 recording from the German Opera Berlin of Respighi’s Marie Victoire, a neglected opera set against the backdrop of the French Revolution, usefully fills a gap. This recently rediscovered piece showcases the impressive young American soprano Takesha Meshe Kizart in the role of Marie. Admirers of the composer’s operas will be aware that his forte is not long flowing lines of melody à la Puccini – or – for that matter, even the glittering orchestration that distinguishes his own tone poems. But Respighi’s approach to opera is utterly his own, and the synthesis of music and libretto is as rigorous as one is likely to encounter in the medium. In fact, Marie Victoire is one of his most dramatic compositions, and could well be the perfect piece with which to approach the composer’s enigmatic contribution to this very Italian art form.

 

ELGAR: ENIGMA VARIATIONS/VAUGHAN WILLIAMS: THE WASPS/FANTASIA on GREENSLEEVES Kansas City Symphony/Michael Stern reference RR-129 When Andre Previn inaugurated his much-acclaimed cycle of Vaughan Williams symphonies for RCA several decades ago, there were those who remarked upon the temerity of an American-born conductor taking on such English works. From almost every point of view, this obscurantist attitude was wrongheaded — not least because RVW, as one of the great modern composers, could hardly be said to belong to any one country. What’s more, the American conductor proved to be a truly nonpareil advocate of the composer, fully the equal of such British champions of Vaughan Williams as Adrian Boult. History might be said to repeat itself in these utterly splendid American performances of Elgar and Vaughan Williams, with Michael Stern adopting an utterly persuasive approach to this music, stressing (if anything) its internationalism. What makes the disc particularly cherishable is the typically luxurious 24-bit sound quality afforded by Prof Johnson, the éminence grise of Reference Recordings – though it remains a cause for regret that the company has sidelined its spectacular SACD programme.

 

WAGNER: TANNHAUSER Rundfunk-Sinfonieorchester Berlin/Rundfunkchor Berlin/Pentatone PTC 5186405 SACD The sixth instalment of PentaTone’s much-acclaimed Wagner Edition continues the exemplary work of its predecessors. The project represents the first time in the recording history that a label has put on disc all major Wagner operas with the same orchestra, choir and conductor. Tannhauser has been well served on disc, and if this new performance does not quite unseat such earlier rivals as the classic Decca Solti set, it is a wholly admirable and idiomatic performance, utilising the SACD medium to the full. 

 

SZYMANOWSKI: SYMPHONY NO. 2 & 4 ‘SYMPHONIE CONCERTANTE’/CONCERT OVERTURE  Louis Lortie, BBC Symphony Orchestra, Edward Gardner CHANDOS CHSA 5115 This vivid and idiomatic recording of orchestral works by Karol Szymanowski is part of the Polish Music initiative on Chandos, and enjoys thoroughly committed readings by the BBC Symphony Orchestra under Edward Gardner. Szymanowski’s early works bear the fingerprints of Wagner and (in particular) Richard Strauss, and the engaging Concert Overture could well be by the latter composer. It sounds splendid in Chandos surround sound. There is a difficult-to-obtain BeArton SACD of the 4th Symphony (conducted by Jerzy Maksymiuk) which has marginally more clarity and dynamism, but in lieu of that elusive disc, this new one is a clear winner.

 

 

 

 

 

 

 

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DVORAK: SYMPHONY NO.9, ‘NEW WORLD’; CZECH SUITE; MY HOME  Malaysian Philharmonic Orchestra, Claus Peter Flor/BIS SACD IS1856  The earlier symphonies of Dvorák may be thin on the ground in the SACD medium, which is a state of affairs that will hopefully be remedied before too long. When it comes to the New World Symphony we are (unsurprisingly) spoiled for choice in surround sound medium, and new entries have to offer something special. It’s good to report that Claus Peter Flor and his Malaysian forces do just that, offering a reading brimming with vitality and colour. What makes the disc particularly cherishable are the charming readings of the under-played Czech Suite and a bravura My Home overture.

TCHAIKOVSKY: THE SLEEPING BEAUTY  James Ehnes (violin), Bergen Philharmonic Orchestra, Neeme Järvi/CHANDOS SACD CHSA 5113(2)  This immensely winning two-disc set inaugurates an ambitious (and welcome) new project by Chandos to record Tchaikovsky’s ballet scores in the studio’s exemplary surround sound. The survey begins in striking fashion with the complete score of The Sleeping Beauty (Swan Lake and The Nutcracker are to follow in 2013 and 2014, respectively – if there’s still a classical music industry then). Tchaikovsky’s ballet adaptation of Charles Perrault’s La Belle au bois dormant was distinguished by the composer’s utilisation of then-unorthodox instrumental combinations, and had an influence on later composers such as Stravinsky. This is a splendidly colourful and poetic reading of the score, with only a handful of caveats (might the famous waltz have been dispatched with a touch more panache?), but at a stroke this becomes the default reading of the complete score.

TONGUES OF FIRE: ORGAN CONCERTI  Martin Heini (organ), The State Philharmonic Chamber Orchestra of Novosibirsk, Rainer Held/Guild GMCD 7386  This is unusual repertoire, the Poulenc Organ Concerto apart — and the fact that the Poulenc is not exactly under-recorded — might have made this a disc which could have escaped many people’s notice. But rave reviews have been forthcoming, and they have been justified – not least for the novelty here, Rütti’s splendid Concerto for Organ, Strings and Percussion, which (in its pawky individuality) is something of a find. What’s more, the Poulenc is given one of its most impressive readings. This is a CD worth seeking out.

TRAVELLING SONATA: Ravel, Faure, etc., Viviana Guzman (flute), Jeremy Jouve (guitar)/ Reference RR-128  The art of the arrangement is alive and well, as this subtle but companionable disc proves. Fauré’s Pavane lends itself better to the transcription for guitar and flute than Ravel’s Bolero, but the rest of the disc is full of quiet charm – and it is impeccably played.

TCHAIKOVSKY: THE NUTCRACKER  Andreas Morrell director/Warner DVD 2564-65630-9  There is no shortage of serviceable performances of The Nutcracker on DVD, but this is one of the most accomplished, graced as it is with dancers of great elegance and vitality.

HOWARD SHORE THE HOBBIT: AN UNEXPECTED JOURNEY  Decca 00602537155651(2)  Over the years (with his highly successful adaptations of the Lord of the Rings trilogy), the director Peter Jackson has called upon the services of the composer Howard Shore as his musical amanuensis — so it was perhaps inevitable that Shore would be the default composer for the director’s version of the Tolkien prequel. And the fact that Jackson is planning to expand Tolkien’s slim book into three blockbuster movies means that Shore enthusiasts will be getting more than their money’s worth.

THREE GREAT AMERICA LIGHT ORCHESTRAS Percy Faith, David Rose and Paul Weston Orchestras/Guild GLCD 5200  Guild’s commitment to reissuing the very best of light orchestral music from the past continues apace with this beguiling collection, benefiting once again from the audio restorations and remasterings of Alan Bunting.

 

 

 

 

 

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RICHARD STRAUSS: EINE ALPENSINFONIE, São Paulo Symphony Orchestra, Frank Shipway, BIS SACD  The commitment of the BIS label to record (in gorgeous super audio CD sound) the most colourful and dramatic works in the repertoire continues unabated, and is to be much applauded. Strauss’s Alpine Symphony, however, comes up against a great deal of competition even in the SACD field, where many listeners rate the Luisi performance the most impressive. If Shipway, however persuasive, is not in that category, there is another reason why this is an essential purchase: the substantial fill up: an orchestral suite from Strauss’ Die Frau ohne Schatten; the rich and ripe writing by Strauss has never sounded as stunning and forceful as it does here, with every detail rendered lucid. 

RICHARD STRAUSS: ARABELLA Wiener Staatsoper, Soloists, Franz Welser-Möst, Electric Picture BLU-RAY  In the 21st century, it seems strange to think that Arabella was once regarded as a failed attempt to recreate the success of Strauss and Hoffmannsthal’s most popular opera Der Rosenkavalier, when the very distinct character of both pieces now seems so clear to us, despite the obvious similarities. In terms of visual recordings of classic performances it’s a source of regret that singers such as Lisa della Casa were not filmed, but Straussians can luxuriate in the Kiri Te Kanawa assumption of the role, although the sound quality is a touch thin and the Academy ratio picture less than sharp in close-up on that DVD. These technical considerations are not a problem in this new Blu-ray, where the sound quality does full justice to Strauss’s opulent orchestration. Similarly, the widescreen picture is as rich and detailed as one could wish (perhaps too much so in the later scenes in which bare-chested men in drag with tiny bowler hats sit listlessly behind Arabella as she is unfairly denounced by Mandryka. But don’t let this give you this impression that this is a typically eccentric modern production; this unfortunate detail can be largely ignored. Emily Magee may not have the sweetest of voices as the eponymous heroine, but she has the measure of the emotional content of the role. Similarly, Tomas Konieczny’s is aware that his blunt nobleman Mandryka cannot present too much finesse (either in terms of his characterisation or vocally). Magee is a solid, mature Arabella – but how often do we get to see the virginal teenager that Strauss and Hofmannsthal appear to have had in mind?

KHACHATURIAN: CONCERTO-RHAPSODY IN B FLAT/ LIAPUNOV: VIOLIN CONCERTO  Hideko Udagawa, RPO, SIGNUM  The neglect of this winning and dramatic piece by Armenia’s most distinguished composer is inexplicable, but perhaps the reading here of the Concerto-Rhapsody will redress the balance, such is the persuasiveness of the playing. The coupling, Liapunov’s violin concerto, while a lesser piece, is also realised with great attention to detail.

WITOLD LUTOSŁAWSKI: ORCHESTRAL WORKS III: SYMPHONY NO. 2, ETC. Paul Watkins (cello),BBC Symphony Orchestra, Edward Gardner CHANDOS SACD  More challenging than its predecessors, this is the fourth volume in Chandos’ series devoted to the music of the Polish master Witold Lutosławski. The reliable Edward Gardner and the BBC Symphony Orchestra are complemented here by the cellist Paul Watkins, a player of great sensitivity. Lutosławski finessed thematic material for his Little Suite (Mała suita) from folk melodies from the village of Machów in south-east Poland, and it is highly attractive; the Second Symphony, though, while rigorous and focussed, is uncompromising fare – and perhaps one for the composer’s serious admirers. 

BEETHOVEN: STRING QUARTET NO.11, KREUTZER SONATA NO.9 (ARR) Camerata Berlin, Antje Weithaas, AVI  This new recording offers two striking recent examples of orchestrations of chamber works: Beethoven’s String Quartet in F Minor op. 95 (not Mahler’s celebrated orchestration, but a new one) and the ‘Kreutzer’ Violin Sonata No. 9 in A Major – the latter particularly successful. Both are demonstrations of how listeners’ perceptions of a piece of music may be altered by new accoutrements – controversial alterations, but a good case is made here, particularly in these sensitive transcriptions.

MAHLER: SYMPHONY NO. 8 Gurzenich Orchestra Cologne, Markus Stenz, OEHMS SACD   While the Gergiev LSO/Live performance remains the yardstick on SACD – not least for its stunning opening chords, organ well to the fore, and fiercely realised though-line, this critically celebrated series of Mahler recordings with the Gurzenich-Orchester Cologne conducted by Markus Stenz has proved full of riches (if, at times, it has been inconsistent). This new 8th adds to their lustre with a lean, tensile reading, in stunning surround sound with great impact.

RIMSKY-KORSAKOV/PROKOFIEV: SHEHERAZADE/SCYTHIAN SUITE – BALLETS RUSSES VOL.8 SWR Sinfonieorchester Baden-Baden & Frieburg, Alejo Perez, Kirill Karabits, HAENSSLER CLASSICS  Haenssler’s Les Ballets Russes series is proving a treasure trove, as with this volume presenting Rimsky-Korsakov’s Sheherazade and Prokofiev’s Scythian Suite in colourful, idiomatic performances. If Claudio Abbado’s DG performance of the Prokofiev possess more barbaric force, this is new version is still highly impressive. 

BRAUNFELS: CONCERTO FOR ORGAN, BOYS CHOIR AND ORCHESTRA, ETC. Apkalna, Tolzer Boys Choir, Munich Symphony Orchestra, Hansjurg Albrecht, OEHMS  While not immediately revealing their secrets, these world premiere recordings put a neglected composer in a new light. Presented here are three key works by Walter Braunfels (1882-1954); the Konzert for Organ, Boys Choir and Orchestra, the Toccata, Adagio and Fugue and the Symphonic Variations, all dispatched with enthusiasm, if the organ (so crucial here) is a little recessed in the sound picture.

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Hyperion’s December releases include a Bruckner 7 with Donald Runnicles, chief conductor of the BBC Scottish Symphony Orchestra, who makes his debut with the label. Acknowledged worldwide as a master of the Romantic orchestral repertoire, here he presents Bruckner’s most popular symphony in a monumental performance. Another highlight is a CD of Handel’s Finest Arias for Bass Voice, a collection which demonstrates the variety and brilliance of Handel’s writing for the bass voice Continue reading

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WaterTower Music and Decca Records have announced the release of The Hobbit: An Unexpected Journey Original Motion Picture Soundtrack on December 10th.  The soundtrack will be available both digitally and as a 2 CD set.  A Special Edition of the soundtrack featuring six exclusive bonus tracks, seven extended score cues, and deluxe liner notes will also be available December 10. The Hobbit: An Unexpected Journey features original score by Academy Award® winner Howard Shore recorded at famed Abbey Road studios by the London Philharmonic Orchestra. Continue reading