Pianist George Li, silver medallist of the 2015 International Tchaikovsky Competition has signed with Warner Classics and releases his debut recording. Liu celebrates his newly-signed exclusive contract with his recording debut, the solo recital Live at the Mariinsky. The young American, winner of the silver medal at the International Tchaikovsky Competition in Moscow in 2015, offers an enthralling programme of Haydn, Chopin, Rachmaninov and Liszt. It was recorded live at the Mariinsky Concert Hall in that other great Russian city, St Petersburg, in October 2016.
George Li’s artistry captured the musical world’s attention at the Tchaikovsky Competition, one of the most formidable events of its kind. He describes it as being “like the musical Olympics”, but also found that “being there in Moscow was a sublime feeling”. His talent and dedication duly prevailed. As Pianist magazine has written: “His musicianship is informed by a fulsome emotional world, sensitivity to drama, directness of expression and distinctive beauty of tone that together conspire to give him a strong personal voice at the instrument.” Li, now 21 years old, was born in Boston to music-loving parents who came to the USA from China. He started taking part in music competitions as a child and experienced something of an epiphany when, as a young teenager, he performed a Beethoven concerto with orchestra. As he told Pianist magazine: “All of a sudden I felt like I had entered a different world … It was a unique and amazing experience: for the first time I was feeling music a lot more emotionally, rather than just remembering the right notes and where to come in. Afterwards people were coming up to me and saying that listening to me had changed their lives. I was shocked. I didn’t know before that music had that kind of power. After that, I just wanted to be able to find that feeling again.” Among his piano idols, he cites Horowitz, Cortot, Gilels, Richter and Argerich, while his mentors include the distinguished husband-and-wife team of Russell Sherman and Wha Kyung Byun, who both teach at the New England Conservatory. Over the years he has won a number of competitions around the world, among them the 2010 Young Concert Artists International Auditions, which enabled him to start building a structured career. In 2012 he received the Gilmore Young Artist Award, which in 2016 was followed by the equally prestigious Avery Fisher Career Grant. Another major accolade came in 2011, when he was invited to play at the White House on the occasion of a state dinner that President Obama hosted for the German Chancellor, Angela Merkel. Now George juggles a busy international performing career and piano studies with a literature course at Harvard University in his hometown of Boston. “Literature helps me understand music because they’re so interrelated in understanding all aspects of humanity,” he told the Harvard Gazette. “With music, there’s a balancing of different qualities and you have to exercise control and finesse and technique. There’s always a fine line between too much control and technique and being overly emotional, overindulgent. [Writers are] able to convey such great emotions, and that’s what I’m trying to achieve … I’m trying to reinterpret what the composer has written, but, in a way, I’m creating a new kind of interpretation of the music.”
With words as well as music holding such an important place in his life, it becomes clear why George Li chooses to see the programme for his Mariinsky recital in terms of a narrative. He describes its trajectory as being “like a journey down to Hell and back up again”.