If you are an admirer of the greatest of all French Impressionist composers (with Ravel running him a close second), your library will probably sport several biographies of Claude Debussy. So why should Stephen Walsh’s new attempt to assess the life and achievement of the composer be worthy of your attention? The answer — quite simply – is that it is one of the most astute and sympathetic studies of the composer that you are likely to read. In fact, Walsh’s own description, ‘A biography of sorts’, suggests the particularly astute balancing act he performs between celebrating the exquisite music and the turbulent life of this difficult, temperamental man. Walsh’s study, couched in elegant prose, never falls into the simply sequential. With fresh insights into such masterpieces as La Mer as well as little-known works such as Debussy’s unfinished opera based on Poe’s ‘Fall of the House of Usher’, this becomes at a stroke a definitive guide to the life and work of a great French composer.